The ultimate showdown looms.
Theoretically, the return of Jean Gray ought to be an enormous deal. This can be a character who’s been lifeless for an eternity by comedian e book requirements, and one who’s beloved by X-Males followers the world over. But the best failing of Phoenix Resurrection is that it would not make her return really feel just like the momentous occasion it ought to be. It is merely yet one more underwhelming occasion comedian in a franchise that appears to supply nothing however currently.
The perfect that may be mentioned for concern #four is that the X-Males are now not losing time touring the globe and attempting to resolve a thriller to which readers have already got the reply. Our heroes have lastly discovered Jean is returning, they usually’ve tracked her all the way down to the deserts of New Mexico. However even with the endgame staring them within the face, the X-Males are annoyingly sluggish to get the ball rolling. An excessive amount of of this concern includes characters standing round an both cracking jokes and laying down exposition. As soon as once more, I discover myself wishing that Matthew Rosenberg had stored his forged trimmed all the way down to a small handful of characters with shut private ties to Jean, slightly than inserting principally each energetic X-Man into the combo.
Earlier points at the least had Jean herself to fall again on. The mysterious nature of her small-town existence gave the sequence some much-needed ambiguity and power. Sadly, now that the precise nature of Jean’s establishment and environment has been revealed, even that attraction is misplaced. There’s little or no momentum main into the fifth and ultimate concern, at the same time as Rosenberg units up what ought to be a gut-wrenching reunion scene. Given how typically this sequence has dissatisfied in different areas, what is the probability that this encounter can be any totally different?
Phoenix Resurrection undoubtedly is not being served by its plummeting visible high quality. This concern is way beneath Ramon Rosanas’ standard requirements, suggesting that it got here collectively on a really rushed schedule. Rosanas’ traces are unfastened and missing the clear, modern high quality they often possess. Worse, the artwork makes quite a lot of bizarre framing decisions, with characters organized seemingly at random or shoved into the background of panels. If the script is missing in momentum, the artwork does nothing to choose up the slack.